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  • An Affair With A
  • Dead In Bed
  • Dead In The Office
  • Dead in the office
    [12]
    $9.99
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    VICTIMIZATION PRODUCTION - Dead in the office

    Clip Description

    This scene is based on an episode of Alfred Hitchcock's great Thriller Frenzy (1972). A cute woman was strangled with a tie in her office by a obsessed maniac!

    Clip Duration:      7 minutes
    Format Size
    mp4967.36 MB

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    VICTIMIZATION PRODUCTION - Dead in the office

    VICTIMIZATION PRODUCTION - Dead in the office

    VICTIMIZATION PRODUCTION - Dead in the office

    VICTIMIZATION PRODUCTION - Dead in the office

    VICTIMIZATION PRODUCTION - Dead in the office

    VICTIMIZATION PRODUCTION - Dead in the office
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    Blue on Blue - Anna's getting home after a very busy and tiring day at the office, she looks exhausted. She comes into the living room. 
There she sees the Hitperson who is sitting in an armchair. In one hand he is clutching a silenced gun which he is pointing directly at her.
Anna starts to scream, her eyes widening with fear and her hands darting to her throat, but the Hitperson waves his gun slightly to signal her to be silent, so all that comes out is a muffled frightened gulp of air.
Anna has backed into a corner of the room, shivering with fright. After a few moments she realises he is serious and starts to unbutton her blouse with trembling fingers.
She eventually manages to undo it and get it off. The hitperson motions with his weapon for her to take off her skirt as well. Underneath she is wearing some surprisingly sexy lingerie. 
It is clear that she expects to be raped. However, the hitperson gets up slowly, silently, like some lethal cobra, and approaches her, then orders her to turn around slowly.
Anna's frightened eyes never leave his face.
He starts asking her about the important files she stole from the office where she works.
Anna is either a brilliant actress or she hasn’t the foggiest idea what he is talking about. She shudders, horrified and bewildered both at the same time. She has no idea what kind of files he talks about.
The hitman sees that she is showing signs of panic and is only one step away from screaming. So he hits her hard on the side of the head with the butt of his gun. She loses consciousness.
Bathroom now. Anna\'s sitting slumped on a stool in the bathroom, still in her beautiful underwear with her hands now tied behind her back. Opposite her, next to the head of the bath which he has busily been filling up almost to the brim, is the hitperson.
Anna’s lips move slightly but no sounds issue forth. She is openly crying now. It is still quite obvious that she hash't a clue what he means.
Hitperson smiles thinly: “I am going to take your head and hold it under the water for a good five minutes,” he explains coldly. 
Anna stops crying now, in greater fear than ever, as the enormity of what he has just said sinks in. She tries to say something but her face is completely frozen with fear and trepidation.
Hitperson goes over to Anna, grabs her and forces her to stand and then he forces her to kneel by the side, her head over the lip, and then he slowly and deliberately forces her face and head under the surface of the water.
Anna, paralysed by fear no longer, starts to kick and squirm, but the Hitperson is a professional and he holds her easily through it all. And he still continues to hold her head and face under the water. There are a good few minutes of Anna’s stocking-clad legs as they go through a whole series of kicks and struggles.
After a few minutes Anna is noticeably getting weaker and weaker. Suddenly her body gives a bit of a jerk and gasp – it’s obvious that she could fight the urge no longer and has breathed in. The hitperson though was expecting this, and holds her through the gagging reflexes and spasms, however these spasms and twitches get weaker and weaker and her legs stop their gyrating.
Soon after, the lovely Ms Anna’s body goes completely still and limp. Still holding her head under the water, the hitperson feels for a pulse in her neck, it’s obvious that one is still there, and he continues to hold her head under until he is certain that her heart has stopped beating.


    Dead in bed - This custom was based on the script of the final episode of the great British thriller directed by Alfred Hitchcock 'Frenzy' (1972).
The woman has been strangled with a red necktie that is still around her throat. It is knotted tightly at the front of her throat. Her eyes are wide open and staring, her tongue is protruding from her mouth, her breasts are bare. You will see the body from different angles.

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